Le Morte D’Arthur (The Death of Arthur): All Volumes
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At the time, the wars of the roses was going on. The country was torn between red and white -at least that is how the Tudors wanted it to be remembered. The truth is far more complicated. Nonetheless, these were the two major factions leading the conflict and initially a Yorkist, Malory like so many of his comrades became disillusioned with the current regime and cast his lot with Warwick Edward IV, the Yorkist King, ambitious cousin and the King's treacherous younger brother. When that didn't work, he patiently waited for his opportunity to come and when it came, he cast his lot once again with Edward's enemies.
This time with the Lancastrian queen and her son, the Prince of Wales, across the narrow sea. Henry VI was a miserable wretch at this point. The indecisive, easily-manipulated king was replaced by a witless king who had no idea what was going on. His wife and Warwick were the ones calling the shots. Seeing the bloodshed that the two houses were shedding for the sake of the crown, Malory abandoned all hope for a better tomorrow. This edition just covers the first volume.
Those of you who have read all four volumes will see that in spite of his personal beliefs, Malory reserved the right to disappoint his readers by giving them a gloomy ending. Instead, the ending is bittersweet, ending with the promise of a brighter future -where Arthur would rise up from the grave to restore law and order to his sacred homeland. History is cyclical. To loosely quote what 19th century author and socialist icon, Karl Marx, said, history repeats itself, first as a tragedy and then as a farce. History certainly repeated itself in The Death of King Arthur.
Arthur is seen as the chosen one by his peers; Merlin believes in him. But along the way he is met with various obstacles that hinder him from becoming the greatest king that ever lived. Although he becomes a legend, everyone around him -including him- knows that it is nothing more than illusion. This is also the first Arthurian myth that weaves all the other individual tales together, paying close attention to detail ie, the characters' appearance, personality, and their environment.
Camelot is no more violent than the promised land that both Yorkists and Lancastrians promised their countrymen they'd turn England into. The knights who vie for power, fight to protect their king or seek personal glory, are just as flawed as their king. And that is the big tragedy here, that our heroes are victims of their own hubris. One of the best books on Arthurian literature, Thomas Malory gives us the sad ending, and by the other side the possible return of The once and the future King.
Just so we have no misunderstandings later, these guys [knights] are not always chivalrous. Second, have things changed since those knightly times? Like back then, two knights battle for hours and wound each other nigh to the death. What do they do? I paraphrase, "I have never met me such a worshipful knight as thee, therefore let us fight no longer under oath to the end of our lives, and I love thee the better, even as if tho Just so we have no misunderstandings later, these guys [knights] are not always chivalrous.
I paraphrase, "I have never met me such a worshipful knight as thee, therefore let us fight no longer under oath to the end of our lives, and I love thee the better, even as if thou were my own brother. If this condition being included in a set of a few others they happen to get a foul sword and stupidly keep the thing, instead of, you know, chucking it in a volcano or something, they'll probably kill you by accident.
Also, when will people ever learn not to say, "Whatsoever it is that thou ask of me, that thing is yours. It's not like I just called King Arthur a dummy or anything. Haven't you ever heard of generalization? The writing and plot is pretty good, since you mentioned it. So what did these knights do all day? Well, let me help you understand this. After I do, I'm sure you'll want to read the book forever be warned, though: it doesn't last forever. After you tell your name under oath. Joust with him. Smite him from his horse. Lightly void your horse.
Fight for two hours. Wound him wondrously sore. Worship achieved. Go your merry way. Go on her quest. Bear her incessant rebukes. She'll say she's sorry later. Prepare to do anything listed on this schedule during aforementioned quest. Kill him. Get killed. Tell him that you killed him and he you.
LIS 511 (2016-1 Spring): An Introduction to The Arthurian Tradition: Home
Make great dole. Maidens will come and pity you. And you'll get buried with a fancy tombstone, so yay. Or unfortunately be the knight that stole someone's wife. In the case of the former, prepare for everything to work out "well," unless if somebody dies. In the case of the latter, you never know what might happen. But your uncle will probably hate you. Get worship. Smite people heavily. This entails every bit of the above. There is the average knight's schedule.
Le Morte d'Arthur - Vol. 1
And that's the book. Now, in order to honor these chivalrous and full noble knights, I may have made a couple grammatical or typographical errors. They would have too. Interesting that this and the Malleus Maleficarum were published in the same decade. Well, interesting to me, at least. Hard not to enjoy it, or, well, maybe it's easy for others not to enjoy it, but as an Arthurian fan, it's totally my jam.
Taken as a whole, an amazing piece of literature, and perhaps the definitive version of the Arthurian story. While there is a continuous plot to the entire saga although not always in chronological order , it's broken up into various nearly stand-alone sections, each with its own heroes and storylines. I found that most of the weaker stories appeared in Volume 1, parts of which were little more than long sequences of various knights smiting each other, in which both the action and the language are repetitive. The great character-driven stories like the Tristram saga and the story of Launcelot and Guinevere appear later.
Part 1 is still enjoyable, though, and contains some good tales which might be unfamiliar to the average reader. Additionally, some of the events in Part 1 are crucial to what comes later. The thing I enjoyed most about Le Morte d'Arthur include it's complex and realistic characters while the heroes may have superhuman strength and endurance, they exhibit realistic personality flaws and believable motivations. I also liked the way the individual tales were linked together into a cohesive unit, with events and decisions causing repercussions that ripple along throughout the rest of the saga.
The female characters aren't always very well-written, which is perhaps not surprising given the age and theme of the work, with most of them falling into the general categories of damsel in distress, conniving temptress, mischievous sorceress, sacred virgin, or unfaithful wife. But there are some good surprises here, including stories in which the damsel rescues the knight, rather than the other way around, and there are a few female characters with some depth, such as Maledisant.
The other thing that bothered me were the spoilers and anticlimaxes--the places in which Malory gives away the ending or an important part of it midway through the story, or else at the end of an episode casually mentions that our hero later gets slain by so-and-so. These sorts of things would never fly today, but of course Malory was writing at a different time, for a different sort of audience one that would likely already be familiar with these stories, having heard other versions of them. Shelves: classics , fiction , ebooks , novels.
This is the first volume of Le Morte d'Arthur and shouldn't be seen as the first book of a trilogy, just the first half, and not meant to be read alone. I agree with the reviewer who said this is not for the faint of heart, and few general readers are going to find this a great read. If you're looking for an absorbing, entertaining read with characters you can relate to and root for, you're absolutely, positively in the wrong place.
Read instead Arthurian novels such as T. White's The Once and This is the first volume of Le Morte d'Arthur and shouldn't be seen as the first book of a trilogy, just the first half, and not meant to be read alone. There are countless other such novels inspired by this material worth reading, and I've read a lot of them. But I did find it interesting at times going through this, one of the ur-texts as it were of Arthurian legend. But Malory drew from several sources, so much so he's often described more as the "compiler" than the author of the work.
I own a edition in two volumes that comes close to 1, pages. So this is an exhaustive resource of all sorts of facets of the legend.
The story of Tristram and Iseult is here, for instance. And this is a medieval work, so it's imbued with its assumptions and attitudes. Obviously a source of outrage to some reviewers, and even by the standards of the time, comparing this to how women are treated in say Boccaccio's Decameron and Chaucer's Canterbury Tales --well, women don't come off well here. Misogyny abounds. And knights are held up as paragons who commit a lot of heinous acts and just plain WTF. A lot is repetitive and a slog--as one reviewer put it too much is "joust, joust, joust. With the spelling regularized it's quite readable, much more so than unmodernized Chaucer.
But with those that choose to preserve the archaic words, that means wading through words such as "hight" is called and "mickle" much. And there's just so much that can be excused by, well, "it's the times"--I found plenty of medieval writers who were wonderful reads, and just plain more humane: Dante, Boccaccio, Chaucer. I can't see Malory as their equal--not remotely.
But as a fan of Arthurian literature and someone fascinated by the Middle Ages, this did from time to time have its fascinations. Bad to start off with a lie regarding a book about honor and chivalry? I'd read this before. But it's a book that keeps on giving, in part because of the style, the broad strokes of character and story that carve out essences or habits but leave you a lot of space to muse on what people are about. Is Gawain a lout? I say yes, mostly, because when he's rushed, or confused, or outnumbered, he usually chooses the selfish or easy way out.
In contrast, Launcelot never does. At this point, in Volume 1 Bad to start off with a lie regarding a book about honor and chivalry? At this point, in Volume 1, his love for Arthur's Guenever is abstract, completely ideal, and that, to me, is the marvel of the book.
It starts, more or less, with a rape aided by Merlin's magic, a rape that allows King Arthur's Camelot to come into existence, and we're immediately presented with the need to impose something higher on base lusts or natural desires. Launcelot is the reknowned example of adhering to an ideal, but in a marvelous passage where he almost goes to war defending Guenever's beauty over Gawain's mother's, we realize that it's impossible ever to forge a kingdom or a commonwealth on a shared ideal; everyone sees everything differently.
The relativism we so cherish these days, alas, was always a rot at the heart of every beautiful thing. That's probably the reason for that pesky Questing Beast that keeps rolling through these forests, chased by a knight guided by a quest--just an arbitrary game for meaning--to remind us of the hunger and the natural chaos at the root of all we do.
So we know that Launcelot must fall in Volume 2, even if we haven't been here before, because at this point he appears to be inhumanly devoted. Tristram calls someone, at the end of this volume, a "natural knight," for doing a merciful deed, suggesting that in the complicated dynamics of the old nature versus nurture debate, there is some kind of guiding essence that determines how you behave in the chaotic moments, in "hot deeds," as Launcelot says, when he apologizes for wounding Tristram in a contest and we get a hint of how he'll betray King Arthur in his passion for Queen Guenever.
Again, old stories, old beliefs, but as provocative as ever. By the way, didn't mean to put Gawain on the far end of the continuum of lout versus hero. He's not the lowest; King Mark might take that prize. Although these stories are collected into a book, this is not a novel, and it's just Part 1. On the other hand the stories are stand alone, so I think I can review it a bit. The first part is all about King Arthur's lineage and them him consolidating his kingdom.
It's not that exciting because Merlin just tells King Arthur what to do and he does it and everything goes well. Everyone does "marvelous deeds of arms" and is a "passing good knight". I don't suggest skipping it because it gets you used Although these stories are collected into a book, this is not a novel, and it's just Part 1.
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I don't suggest skipping it because it gets you used to the style and rhythm of the story. I do suggest sticking with it even if you find the start a little boring. After King Arthur's court is established things get more interesting. The various books choose particular knights or groups of knights to follow and we get their adventures. Like I said in an in-progress review, the book is old and written in a style that takes a while to get used to.
Le Morte d'Arthur - Wikipedia
But it's not so strange that you can't get used to. I found that when I had trouble following what was happening, reading out loud helped.
- The Tree.
- Le Morte D'Arthur by Malory, Sir Thomas;
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There's a lot of repetition and formulaic phrasing which feels strange reading silently but as soon as I read it out loud makes sense. I think this stuff was meant to be read out loud and listened to. People seem to get annoyed about various aspects of this book, such as the archaic morality, or the archaic writing style.
I don't know what to say to that. The book is not the kind of book you're probably used to reading. I think as a modern reader of an old text, it's my duty to take the text as it is and understand it from its own point of view. I can also view it in a meta context, in that it tells you things about the writers that the writers may not have intended to tell you about them.
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I think that's fascinating. The stories are also good and often delightfully weird. And the archaic language has its own rule and rhythm that give their own kind of pleasure, too. I've awarded the fist volume five stars because I enjoyed it and because I think it's an important and influential piece of writing that is also a historical document not about King Arthur. About the people who told the stories about King Arthur. Let's meet all the knights from the round table- Arthur: the king, general and knight married to Guinevere, whose father sent the round table and never said where he got it from.
Tristan: is an old knight that is famous for running away with his uncle's fiancee, Isolde Tristan and Isolde. He is a good harp player. Lancelot: The best and most famous knight. He fell in love with Guinevere. Galahad: Lancelot's bastard son. He is virtuous and sweet in all his knightly manner. Gareth: Gawain's youngest Let's meet all the knights from the round table- Arthur: the king, general and knight married to Guinevere, whose father sent the round table and never said where he got it from. Gareth: Gawain's youngest brother that was devoted to Lancelot and was killed by him while rescuing Guinevere from burning at the stake.
Gawain: Oldest of the Orkney boys warrior clan , and nephew to Arthur. He is brave and tough but has a big temperament. Lamorak: Killed Gawain's father and moved in with his mother, so naturally Gawain killed him. Gaheris: Another Orkney, and Gawin's middle brother and served as his squire in his early years. Bors de Ganis: Arthur's cousin, he is gentle although big and strong.
Percival: He is a mama's boy and was pammered at home delicately with never any talk of knight, fighting, and swords. He is innocent and a bit simple. Bedivere: is one of Arthur's first knights which stayed with him to the very end. Kay: Arthur's older foster brother which he served as a squire in his early years. Geraint: is a prince of a neighboring kingdom and is not interesting at all.
Love this book, it has a certain charm to it that you don't find anymore. The medieval stories have a veil of the many mysteries of a world in those dark but simpler times filled with romance and adventure of the unknown. I'm currently going through an obsessive Arthurian phase and what better to feed my passion than the first English print of the legend. Now, yes, this does mean it happens to be written in a modernised version of Old English and yes I was a bit irritated when I found Peter Ackroyd's Modern English version the day before I finished but I think this adds a certain charm to the tale.
I certainly discovered that I regret the loss of some words and phrases from the English language eg, anon, wonde I'm currently going through an obsessive Arthurian phase and what better to feed my passion than the first English print of the legend. I certainly discovered that I regret the loss of some words and phrases from the English language eg, anon, wonderly wroth, orgulous, etc and I intend very much to bring them back into use! Despite the sometimes baffling language barrier I recommend keeping a dictionary handy as I found the footnotes to often be useless, defining words that I could work out yet ignoring words that don't even make it into my dictionary I really enjoyed reading this and getting the first-hand Arthur experience.
There is jousting galore, plenty of smoting and buffeting, rules of knighthood, adventures to be had and did I mention jousting galore? It was really great to learn all about the original legends and I would recommend this to any Arthur fan. I will most definitely be picking up volume 2 soon. For a book called "The Death of Arthur" it doesn't really have as much of him as I was expecting. After the beginning bit that talks about his conception and how he came to be king, most of this book has to do with the exploits of the knights in his court.
You see, the knights are so inspired that Arthur in his exhaled position as high king of all england will still do the comparatively lowly work a knight.
And they get inspired to do great feats to prove their worth. A lot of these knights, a For a book called "The Death of Arthur" it doesn't really have as much of him as I was expecting. A lot of these knights, and the various fair and foul maidens associated with them, I was previously unfamiliar with.
The whole tale of Tor I'd never heard about, I'd heard of Tristan and Isolde but I didn't know anything about them other than that they were lovers. Turns out their whole affair is very involved and kind of epicly tragic. I knew just in passing that Arthur had other sisters and but he actually has a bunch of nephews other than Mordred, and seems to be on good terms with most of them Their moms not so much tho I've heard of The Lady of the Lake, and I always thought of her as a kind of benevolent entity.
Turns out there's a whole bunch of 'Ladies of the Lake' and the main one is actually quite manipulative and sinister. Most adaptions of arthurian legends that I've seen seem to make out Morgan or Morgause Other events in the narrative take place in Rome and the Tigris-Euphrates river basin. Caxton broke these up further into twenty-one books. The themes and books are:. About the author: Although there is dispute as to the exact identity of the author, it is most commonly agreed that it was Sir Thomas Malory died from Newbold Revel in Warwickshire.
William Caxton — was an English merchant, diplomat, writer and printer. He was the first English person to work as a printer and the first to introduce a printing press into England in Additional information Weight 0. Lothrop Stoddard Thomas Dixon.